Tag Archives: Vladimir

The Procession of Reading Children’s and Classic’s Books

Every phase of life has its own readings that enrich this phase. When I was a child, I liked reading a lot, particularly the ones who communicate with me, which build up my mind and plant morals and ethics. Children’s books like scientific or fiction has a simple language that strengthens the reading passion in me. Now, as a grown up, I love to read a lot, but the only difference is that I read some classic books. I have to admit that in classic books, I found the pleasure of reading, I’m impressed by how clear, serene, and solid the words are, my brain imaginatively recreate what the words just implies. “When I had read this story to the end, I was filled with awe. I could not remain in my room and went out of doors. I felt as if I were locked up in a ward too,” Vladimir Ilyich Lenin once said. The classis books paint me a picture of what life at that time look like. The classic books writings have been developed during the past 100 years.

 

Naguib Mahfouz, one of the best-known Arabic novelists of the 20th century, was awarded the Nobel Prize for literature in 1988, has incredible books. For instance “Bayn Al Qasrain,” is one of the most encyclopedic books. It’s like moving diagrams of how the Egyptian community was looked like. This particular book picturing the Egyptian collapsed society. Mahfouz usually talked about controversial subjects, for example, the British occupation. Moreover, he mentioned Egyptians daily life and how they suffered, during the occupation. Mahfouz supported his piece by examples and facts derived from Egyptians social life. “When disasters come at the same time, they compete with each other,” Mahfouz said. I believe that this book is an immortal book, that Egyptians take it as a reference of their life at that time.

 

The second impressible author I admire, Charles Dickens. Through his fiction, Dickens did much to highlight the worst abuse in 19th century society. He was influenced by his youth readings and even by the childhood stories. In spite of all his life discomforts, he was more like Shakespeare, touched a range of readers, which was perhaps his greatest talent.

 

Just on his second novel, Oliver Twist, Charles Dickens describes characters from many different social and economic levels. The novel is set against the background of the New Poor Law of 1834, which established a system of workhouses for those who, because of poverty, sickness, mental disorder, or age, could not provide themselves. Young Oliver Twist, an orphan, spends his first nine years in a “baby farm,” a workhouse for children in which only the hardiest survive. Then he goes to London, and falls in with a gang of youthful thieves. Dickens renders a powerful and generally realistic description of this criminal.  Later, he contrasted the squalor and cruelty of the workhouse and the evilness city with the peace and love Oliver found in the country at the Maylies’ home.

 

As a result, I cannot cut off that a one should read only either children’s or classic books, but I can say that a one should read whatever book that satisfy his interest. Robertson Davies, a Canadian novelist and critic, said, “A truly great book should be read in youth, again in maturity and once more in old age, as a fine building should be seen by morning light, at noon and by moonlight.” That kind of books is what I call an immortal book.

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